There's better days shining through
These are better days
Better days with a girl like you
Two quotations on the subject of books:
OK, this week I'm growing my hair, splashing on some patchouli, wearing my leather jacket no matter how hot it gets, and turning this motherhumper up to 11, 'cos it's Metallica time!!
To be more precise it's September 1988 at Newport Centre, the Damaged Justice tour. I'm there with Mark, Jon, Matthew and Steve ( where are all those guys nowadays? ), we've just missed support band Danzig but we're not too bothered 'cos Metallica hit the stage just as we walk into the venue, and EXPLODE into first song Blackened. Riffs, drums, screams, strobes, volume! Before we know it the song's over, a few choice f-words from James Hetfield and we're on to For Whom The Bell Tolls, our eardrums destroyed already.
I've just watched Gregory's Girl ( on BBC4 ) for the first time in ages. After all these years it still stands up as a warm, charming and funny movie about awkward adolescents in pursuit of love. Or, at the very least, a snog in the school corridors. Some lovely, naturalistic performances from John Gordon Sinclair ( where is he now? ), Dee Hepburn and Clare (Altered Images) Grogan.
Something different this week: this post is all about a venue not a band.
Here's a short list of some of the bands I've seen there over the years: Primal Scream, Catatonia, EMF ( Gloucester boys! ), The Supernaturals, Symposium, Lambchop, Carter USM, SMASH, Carbon/Silicon, Stiff Little Fingers, UK Subs, The Damned, Antiproduct, and many more.....
Tippi Hedren from one of my favourite Hitchcock movies, The Birds ( 1963 ), looking ice-cool as ever. You might say unruffled.....
Hi to new Follower, Matthew K, from the excellent blog Capes On Film.
A bit of an oddity, this one: a Marvel annual produced by former UK magazine and comic publishers Fleetway. There is a "Copyright IPC Magazines Ltd., 1972" notice on the inside front cover, so it seems likely to me that the annual was published after the demise of Odham's Power Comics but before Marvel UK debuted with Mighty World Of Marvel no. 1.
The early 1980s: Punk as a "movement" is over, the Pistols have split, the fashion victims have moved on to the New Romantic scene, subgenres like Oi! and Goth have appeared, creating tribalism which only fractures the scene further. Probably the most significant development in Punk is the rise of the Anarchist bands, anti-capitalistic, anti-vivisection, pro-direct action, a nihilistic and confrontational underground scene boasting the likes of The Subhumans, Conflict, Dirt, The Mob, A Flux Of Pink Indians, The Poison Girls and ( as they say ) many more. But the prime movers, the inspiration, the most loved and reviled are the band / collective / record label known as Crass.....
It's September, 1981. I'm 14 years old and at probably only my second or third ever gig. And I'm bricking it! The venue is The Marshall Rooms in grotty, recession-hit Stroud. A dingy, fag-smoke blanketed hole, packed with Stroud punks on one side of the venue and Gloucester skin'eads on the other side, glaring at each other and waiting for the first signs of provocation. Crass member Annie Anxiety stands up to read some feminist, anarchist poetry, which doesn't go down too well with some of the neanderthals in the crowd, scuffles break out, I keep my head down.
Happy Birthday to old Punk Steve Jones, 54 today. That's Steve, looking young and (relatively) thin, to the right of John Lydon.
A bloke I used to work with went to school with Steve Jones and Pistols' drummer Paul Cook, back in Shepherd's Bush, or "The Bush" as it's apparently called. But, as he's a total blues-obsessive and doesn't listen to anything else, he never saw them play live. D'oh!!
Famously barking-mad ex-Time Lord and National Treasure Tom Baker has a new website at http://www.tom-baker.co.uk