This issue is from the imperial phase of the Lee / Romita partnership: all the requisite elements are here from the soapy goings on of the supporting cast, to the vile villain ( Doc Ock of course ), to Peter Parker in full on neurotic mode. The story revolves around Aunt May's questionable decision to take on a certain Dr. Otto Octavius as a lodger. What could go wrong? As you can see below, quite a lot...
This is the second issue of a four-part Spidey / Ock slug-fest which leads into the classic story where Spidey loses his memory and unwittingly teams up with the tentacled terrorist. Romita's artwork is lush as always, although the inking of Mickey Demeo ( aka Mike Esposito ) is sometimes dull. The girls ( Gwen, Mary Jane and Aunt May ) all look amazing, though.
Also in this issue we see the first meeting between Peter and Joe "Robbie" Robertson, soon to become a familiar character in the Spidey strip and one of the first prominent Black characters in Marvel comics. And then Aunt May has one of her turns. ( Don't worry - she'll be alright. )

The Avengers no. 100 ( June 1972 )
Moving on from our friendly neighbourhood web-spinner, it's time to meet those #Mighty #Avengers in their equally Mighty 100th Issue - in fact, the mightiest of all as the cover proclaims. This is an issue I've long wanted but always found too expensive before. This copy is slightly worse for wear, being only a G+, but the Out Of This World price was right, so I had to pick it up.
Avengers no. 131 ( January 1974 )
Another issue of T'Avengers, seemingly cashing in on the then-current Kung Fu craze, if this splash page is anything to go by. That mysterious maid Mantis kicks some back street mugger in the jaw ( "Klok!" ), while the ad on the facing page is trying to flog the discerning reader a "revolutionary new audiovisual home study course in dynamic Kung Fu & Karate" - well, who could refuse? ( Interestingly, the small illustration accompanying this ad looks like it was produced by "Judo" Jim Starlin, but I could be completely wrong on that score. )
This issue is part of the ongoing Celestial Madonna epic, a multi-part story including Immortus, the Kree, the 1940s Human Torch and his relationship to the Vision, the recently deceased Swordsman, the terrorist group called the Zodiac, Uncle Tom Cobbley and all. And, this being a time-travel yarn, the Avengers' greatest foe #Elon Musk Kang the Conqueror turns up. Mission statement below:
Anyway, this is a fine, dialogue-heavy issue ( if probably mind-boggling to any new readers ) with the great Steve Engelhart delving into the Vision / Wanda / Mantis love triangle, while also delivering some requisite action scenes and setting up the convoluted plot to come. There's some un-showy but lovely artwork from the team of ol' reliable Sal Buscema and new-to-Marvel Joe Staton, fresh from his run on Charlton's E-Man. One of the main draws for me was the cover for this issue: I first glimpsed it in one of the earliest issues of Marvel's in-house fan magazine FOOM I acquired as a kid ( no.7, fact fans! ), and all the covers featured in those issues were indelibly burned into my brain, and now have an almost-totemic status. I've always meant to find those specific comics but haven't really pursued it - maybe I should start now.
All in all, a nice little haul from Out Of This World, and I'm sure to go back there for more delights.
( If not more #hashtags. )
4 comments:
I'm not sure if the " hashtag" thing works on blogger Simon, but if it does please let me know I need more readers for my blog as well lol . Great selection of comics there especially Avengers #100 . I've only ever read this in UK Marvel ( Titans I think) I have a tatty copy of Spidey #54 but your copy looks nice.
Hi Paul. Yeah, that Spidey is a decent copy, worth the £30 price for me. I've now got half of that Doc Ock four-parter, need to pick up the rest at some point.
The Avengers story was definitely reprinted in The Titans, which was a shame as the BWS art lost a lot of its impact when shrunk down for that strange format...
#Nice one Simon.
Mainly for the Avengers #100, which I have a soft spot for even if Barry wasn't really there yet as an artist.
Personally I don't really get the dislike of the 'Windsor-' thing that you seem to find with a fair few English fans. So he wanted to re-invent himself after moving to another country, fair enough - I'd probably do that if I was from Forest Gate too!
-sean
Hi Sean. Yeah, it was entirely Barry's right to change his name... but using "Windsor" seemed a bit too obvious. Now, if he'd gone for "Sir Barry Saxe-Coburg-Gotha Smythe", that would have been perfect. If a bugger for letterers to transcribe every issue.
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