Tuesday, 26 March 2019

RIP Ranking Roger


Gutted to hear of the passing of the wonderful Ranking Roger from The Beat, one of the greatest performers this country has ever produced. A seemingly irrepressible force of nature, he will be sadly missed. Here's a photo of Roger from a Beat gig at the Gloucester Guildhall in happier times.
Love, peace and unity...
Ranking Roger ( Roger Charlery ) 21st February 1963 - 26th March 2019
"I'm sorry to say but I'm on my way..."

Sunday, 3 March 2019

The Skids at The Brook, Southampton and the Guildhall, Gloucester


Over a couple of weekends in February I've been privileged to see one of my absolute fave live bands put on two cracking gigs in two great venues. I'm talking of course of the mighty Skids, improbably but wonderfully reborn and reinvigorated for the 21st century. My friends in Borrowed Time had supported Richard Jobson and co. on half a dozen dates of this tour and so, when I was asked if I wanted to go down to Southampton in the van with the BT boys, I couldn't say no. ( Well, I say "boys" but the lovely Helen was driving the van and running the merch stall too. What a star! )

The Brook in Southampton was a cool venue  -  an old pub converted into an events space, deceptively large inside with a strangely hipster-friendly bar upstairs. I helped Borrowed Time load their gear into the venue and then we had the pleasure of watching Dunfermline's legendary Skids doing their soundcheck ( see photo above ). After a bit of instrumental noodling and setting levels on the mixing desk, Jobbo came onto the stage, gave my mate Glenn a quick salute, and then they were straight down to business.They played a spine-tingling version of the epic Arena and then a jaw-dropping cover of Bowie's "Heroes"  -  it was a special moment, a real privilege to see and hear ahead of the actual gig. Below are Cliff and Glenn from Borrowed Time, being heroes, just for one day...


After a quick trip to a local American-themed fast food joint for a tasty veggie burger and cheesy chips ( this is life on the road, folks! ) I had a very brief chat with Skids guitarist Jamie Watson and then headed back to The Brook to see Borrowed Time kick off the evening. ( Literally. Rob was doing high kicks all over his limited space on the cramped stage. )


The BT boys were on fine form  -  in fact, this was possibly the best gig I've seen them play. The almost constant gigging has paid off and they are now tighter and more professional than ever. They went down a storm with the Southampton audience who clamoured for signed CDs after the gig which must have made the band feel like they'd finally hit the big time. It was a lot of fun, especially for me and Helen who were down the front as the only representatives of the band's home fanbase, and could see how engaged the Soton punks were with the set. Glenn even dedicated the song Oceans to me. Which was nice.


And then it was time for the main event. The traditional back-masked burbling of Peaceful Times heralded the appearance of The Skids who hit the stage running with the powerful punch of Animation, followed by the stop-start lunacy that is Of One Skin. The crowd went absolutely nuts for this one which really set the tone for the evening.


The audience was a seething mass of excitement ( no, really! ) as the band pummelled us with such titanic, singalong classics as Hurry On Boys, Working For The Yankee Dollar and The Saints Are Coming, while also dropping in a couple of crowd-pleasing songs from their comeback album, Kings Of The New World Order and One Last Chance. Jobbo was his usual ebullient, entertaining self, telling his tall tales of 1970s celebrity encounters ( TOTP, DLT. Pan's People, Saville ) and praising the previous night's audience in Swansea ( "Say what you like about the Welsh, they can fuckin' SING!" ) while challenging us to do better. Well, we certainly tried if my totally knackered voice the next morning was anything to go by.


Highlights of the set were a majestic version of A Woman In Winter ( my all-time fave Skids song ), a bruising, set-closing Out Of Town and the obligatory shout-along of TV Stars  -  Albert Tatlock!
TBH I could have done without the pointless cover version medley of Pretty Vacant and What Do I Get? ( which at least had some relevance when I saw them last, a couple of days after Pete Shelley died ) but the Southampton crowd loved that cheesy slice of Punk karaoke. And it was more than compensated for by two showings for the rollercoaster melancholy ( is there such a thing? ) of The Saints Are Coming, half way through the set and then again as an extra encore, Jobbo leading the crowd a capella -style through its mighty chorus.
This was a cracking gig  -  maybe my fave Skids performance and certainly the one to beat this year for any other band. It was loud, it was sweaty, I got covered in beer and pushed around... and I loved it! All too soon it came to an end, we hung around and chatted for a while ( briefly with Skids bass player, the legendary Bill Simpson ), loaded the gear back into the van, and then set off back to the Shire. It had been a truly wonderful day  -  thanks to Borrowed Time!


And a week later we did it all again, this time in my favourite venue the Gloucester Guildhall! ( As much as I love it, the Guildhall has gone down in my estimation over the last couple of years for relying heavily on dodgy tribute bands. Hopefully this Skids gig was evidence that there's still room for "proper" bands. ) This was intended as the final night of the tour, which made it very special, but another date had been added in Colchester which slightly undermined the Gloucester gig  -  and meant a lot more driving for the Skids tour mini-bus! Anyway, the buzz of anticipation was loud as I reached the Guildhall and located the BT boys, working their way through the backstage "rider". And this excitement had also brought many "old" faces from the local scene out for the night: the mighty Mark B ( my former comrade in the Death Planet Commandos), Andy K ( Demob / Noise Agents ), Baz ( Noise Agents / Borrowed Time ), those Bristol girls Nicky & Lindsey, Tony The Nose, Jamie & Sarah, Ben R ( Chinese Burn legend! ) and many more. It was great to see so many lovely people turn out for The Skids... and Borrowed Time...


There had been a few nerves in the BT camp ahead of this gig  -  the pressure was on as it was their first home town gig in some while and many contemporaries were there to see them  -  but I'm glad to say that ( apart from a couple of bum notes ) the boys smashed it! Songs like Bad Stranger, Under The Radar and The Day We Broke The World went down a treat with the Skids fans, and singer Rob was in fine, cocky form  -  throwing his disgusting socks into the audience and throwing some Yoga shapes on stage, while baiting fans from the Forest Of Dean: "Is there anyone in from the Forest tonight? Yeah? Thank God, I thought it was the drains." And they still made it out alive!
So, a triumphant last night of the tour for the guys. Glenn has said to me on more than one occasion "How did we get here? Who thought we'd end up supporting The Skids in our 50s?" It just shows that talent and hard work pay off even if you're living on borrowed time...


And then it was Skids time! Fife's finest came out to a rapturous welcome from the usually reserved Gloucester audience and went straight into Animation and Of One Skin. Yeah... the set was almost identical to the week before ( as well as a lot of Jobbo's patter ) which was fine because, hey it's The Skids!, but it did make things a bit predictable... here come the new songs, here's the Leo Sayer reference, here's the point where Jobbo introduces the band and calls guitarist Jamie "Ed Sheeran" and so on. It's a minor grumble because the band's performance was out of this world and the Guildhall did them proud with excellent sound and lighting, as ever.
One of the highlights of the gig was spotting fellow blogger David of David Rose's Gig Diaries fame in the crowd. I've been following David's excellent blog for a few years now and it was a pleasure to meet him at last. We managed to chat a bit during the mayhem and hopefully we'll catch up at other gigs further down the road.


( This photo above captures Bruce and Jamie Watson just before one of their Thin Lizzy-like double guitar showdowns. Which are awesome! )
After playing solid gold hits like Circus Games, Masquerade and ( of course! ) Into The Valley the
band played a glorious Scared To Dance, as the 23rd of February was 40 years to the day that the album was released. They then went one further and floored us all by dropping the set-listed Happy To Be With You and pulling out their cover of "Heroes"  -  which was just sublime. A wonderful moment in a wonderful night. And after a final, bruising reprise of Of One Skin, in which I got crushed against the stage barrier by the rabid crowd and unfortunately lost track of David, The Skids were gone.
I said a few words to some of the lovely people there who were similarly knocked out by the bands' performances and then headed for home, tired but happy. What a gig! In fact, what a pair of gigs!



Monday, 25 February 2019

Winter walks


Just a few photos from a couple of walks we took at the weekend, around the beautiful
Westonbirt Arboretum and the tiny Gloucestershire village of Huntingford. Although it's technically still Winter, there was a definite feeling of Spring in the air...












Saturday, 16 February 2019

Third Doctor sketch by Mike Collins


A couple of weeks back James and I went to the 2019 True Believers comic con in Cheltenham where I picked up this lovely Jon Pertwee sketch from ace comic book artist Mike Collins. I've met Mike a couple of times before and he's a lovely, talented guy who's always happy to chat with fans. I've meant to buy some of his artwork before but never quite got round to it, so I was extremely pleased with this sketch he did for me. It was great to watch him working and see this unique piece of artwork take shape. James and I also sat in on an art workshop Mike conducted where he gave us a few pointers on drawing Spider-Man. This was a lot of fun and the great man said my pitiful Spidey sketch was "really good"... which made my day :-)

As a bonus, here's some more wonderful artwork ( which the observant among you may have noticed as this blog's header image ), a print James bought from Dylan Teague. Isn't it lovely?


Sunday, 10 February 2019

The Dandy Warhols at the O2 Institute, Birmingham


By sheer coincidence my most recent glimpses of those Rock 'n' Roll Bohemians, the Dandy Warhols, have all been in cities beginning with "B"  -  Bristol, Barcelona and, a couple of weeks back, the fine city of Birmingham. ( We had hoped to get to Berlin to see them on this tour but it wasn't to B... sorry, "be"... ) This was the Dandy's 25th anniversary tour so it was an absolute must. Sarah and I braved the snowy, sub-zero January weather and drove up to Brum, where we were stopping the night in the glitzy surroundings of a Travelodge next to the Bull Ring. ( Okay, it really wasn't that glitzy. Hopefully the band were staying somewhere a bit nicer. )
The O2 Institute is a lovely venue, yet another of those old, converted theatres we seem to end up in, with some pretty ornate furnishings and a huge arch above the stage. After watching support band Juniore ( a French synth-pop trio who looked cool but had left all their tunes on the other side of the Channel ) we met Borrowed Time superstars Glenn and Cliff who were also there for the promised "massive concussion of rock 'n' roll"...


With this being the band's Silver Anniversary tour, they reached back into their past and dug up a few songs that the more rabid fans ( like Glenn ) knew well but which weren't familiar to more casual fans like me and Sarah. Which was fine, except a lot of these songs were of the drone-y persuasion which made the set sag a bit in the middle ( a metaphor for 25 years? )  -  this, coupled with the strangely muted sound, meant it wasn't the best Dandy's gig I'd seen but it still had some fine moments.


Old faves like Godless, Boys Better, I Love You and Bohemian Like You ( of course! ) were all as immaculate as ever and they did a full-band version of Every Day Should Be A Holiday  -  a song usually just performed solo by Courtney and very welcome in this version. Of the recent material, STYGGO caused a mass singalong, Motor City Steel from the new album was a cheesy, infectious earworm and another new song even gave Zia the chance to do some Country-fied lead vocals. Awesome! Here are Cliff and Glenn adding their voices to the sound of the crowd...


The band were on fine form with the sound bolstered by the addition of a trumpet, which was perfect for Godless  -  even though we all " ba ba ba -ed" the trumpet parts anyway, as standard. Courtney gave a rambling monologue about curries ( well, it was Birmingham ) and loads of balloons were released over the crowd during ...Holiday. Which was nice.


And then it was over and we stumbled out into the freezing Birmingham night. Sarah and I went off to find some sustenance and ended up in a lovely Greek restaurant called Santorini which seemed to be the only eatery still open and turned out to be a very chilled and friendly place which served massive portions of food. We made it back to the bar over the road from the Institute where Zia was on the decks in her guise of DJ Rescue. We didn't stop too long but did see all of the Dandy's turn up and chat with the fans  -  I spoke very briefly to Brent and Zia and then we went back to our hotel. Glenn and Cliff went in search of their car ( they weren't too sure where they'd left it ) after taking the obligatory selfie with Zia...


Sarah and I spent the next day in Birmingham which was interesting because we hadn't been there in a loooong time. It was bloody cold but we had a nice time. Here are some random photos...






Sunday, 3 February 2019

Things I Didn't Blog About In 2018 Part Two: Doctor Who Catch-up


Sorry, 2018  -  I'm not done with you yet. In a suitably time-warped kind of way I'm still dredging you back up from the temporal vortex to try and atone for my pitiful attempts at blogging during your titular twelve months. And this, er, time I'm looking at the last six episodes of Doctor Who, starting with:

Demons Of The Punjab ( by Vinay Patel )

After the tedious Tsuranga Conundrum had driven me to distraction the previous week I was really hoping for something with some more substance. Well, any substance really. Luckily this story set during the Partition of India delivered that, and how. The Doctor and her friends travel back in time to 1947 so Yaz can meet her beloved grandmother as a young woman. Unfortunately they land right in the middle of a cataclysmic event as India is being partitioned and Pakistan created with dire and violent consequences.
This episode was one of the highlights of the series for me  -  very well scripted and acted, with a sweet love story at its heart and some suitably gorgeous visuals. Although Rosa earlier in the series had also tackled the dangers of messing with history, this story was sufficiently different to get a pass from me for that slight redundancy.

Kerblam! ( by Pete McTighe )

An episode which could very well have been titled "Kerblamazon!", this was Who-style social satire, much in the vein of Seventh Doctor stories like The Happiness Patrol or Paradise Towers. And, like those stories, it was only partly successful. The concept of dodgy goings-on in a space-based delivery company was fine, with its skewering of modern day businesses who exploit their workers and don't pay their taxes, but the execution was mostly toothless. I think it could have been much darker and sharper but it ended up being just about average, demonstrating again that the new regime are more comfortable with Earth-focused stories than with intergalactic escapades.

The Witchfinders ( by Joy Wilkinson )

Another trip into the past, in this case to 17th century Lancashire, and a village in the midst of a witch frenzy. This was a terrific episode, Doctor Who tackling tea-time Folk Horror, with some bleak, wintry vistas and a suitably chilling alien menace. It also featured two of the best guest performances of the series from Siobhan Finneran and Alan Cumming as, respectively, a witch-obsessed landowner and a very camp King James. So far in its short run the Chibnall era has seemed very squeamish in terms of horror in the subject matter but this episode went a long way to redressing the balance.

It Takes You Away ( by Ed Hime )

A very strange episode, this, which may have benefited from being a two-parter, as the story changed narrative gears at least twice in its 50 minutes. ( I hope longer stories do return in future series so we at least see the return of the show's emblematic cliffhangers. ) The Doctor and friends went to the aid of a young, blind girl trapped in a cabin in a Scandinavian forest, surrounded by monsters. Although, that's how it seemed at first. The story turned out to share some ideas with Shyamalan's The Village before developing twists and turns involving a dimensional portal, Kevin Eldon in some very Star Trek-style "bumpy forehead alien" makeup, and a sentient universe in the form of a talking frog. It was that kind of a story. The mad concepts in this episode made it very divisive but I loved the audacity of it, giving us the kind of madness only Doctor Who would dare. And there was a brief return for Sharon D Clarke, in some lovely scenes with Bradley Walsh, which added a very poignant, er, dimension.

The Battle Of Anskoor Av Kolos ( by Chris Chibnall )

The series finale which didn't really feel like a finale. Nu Who fans have become used over the last 13 years or so to epic finales where the "arc plots", be they involving a Bad Wolf or a crack in time or a returning Time Lord / Lady, all come together and hopefully tie up dangling plot threads.
( Although, in Moffatt's case, some of these threads were never tied up. Just how did Rory escape from those Silence-infested tunnels? Huh, Steve? ) This year's was more of a stand-alone with the main "resolution" being that of Ryan and Graham's relationship issues.
But, saying that, this was still an enjoyable story which saw the return of Tim Shaw, some impressive glimpses of an alien planet, complete with spaceship graveyard, and a pleasing debate on the morality of executing ( or not ) genocidal alien monsters.

Resolution ( by Chris Chibnall )

The new Year's Day special gave us a return to Sheffield and a return of the show's quintessential villains, the Daleks. Only, this time it was a single Skarosian mutant which had been entombed on Earth for centuries and, after being awoken by some hapless archaeologists, went on the hunt for a new body. This was a cracking episode, very old-school, with plenty of action, stunts and special effects and some classic confrontation scenes between the Doctor and her oldest foe, this time in armour desperately cobbled together in a scrapyard. Daleks en masse and powerful can often be boring ( which is why Davros was created ) but a lone, vulnerable Dalek is always the scariest and most dangerous. Chibnall wisely realises this and pulled out all the stops for this thrilling story. Although it was disappointing that the 21st century Who tradition of a Christmas Day episode seemed to have come to an end, this New Year's Day special is hopefully the start of a new tradition.
Of course, the biggest disappointment is that we will have to wait until 2020 before we see the next series. Where's that Tardis?

I'll leave the final words to the Doctor herself:
"Keep your faith. Travel hopefully. The universe will surprise you. Constantly."

Soundtrack: Songs In The Key Of Life by Stevie Wonder



Sunday, 20 January 2019

His Master's Voice silenced


My local HMV, in Gloucester's King's Walk, is on the verge of closing ( originally scheduled to close 19/01 but now delayed by a week ) so I got myself down there for probably the last time yesterday and picked up the musical beauties you can see above.


HMV was the last "record shop" standing in Gloucester after the demise of Virgin, Fopp and Our Price ( who remembers them? ) as well as a few indie shops that never lasted long. ( Well, we've still got a CEX but their stock is mostly games and DVDs with only a very few, second-hand CDs. ) It was only a matter of time, of course, with the onslaught from the internet destroying many high street shops over the last decade or so. The HMV chain itself had been in a similarly precarious position about six years ago but was streamlined and pulled through. But now I suspect this may be the last time, to misquote the Rolling Stones.

The closing of this store ( and possibly others, I'm not quite sure ) is a shame for old school collectors of music and movies. Sure, you can buy just about anything on the net, and certainly at a better price, but nothing beats wandering around a record shop, discovering interesting new stuff, spotting old favourites, getting advice from the staff, meeting up with friends... it's an experience that seems to be on the brink of extinction. For my final haul of music I went for a few faves I previously only owned on vinyl ( Metallica, Anthrax, Stevie Wonder... and who ever thought they'd be mentioned in the same breath? ), some albums I've always meant to buy but never got round to ( Small Faces, Kinks, Vangelis, NWA ), and a couple of jazz albums as a kind of mystery purchase ( Herbie Hancock and John Coltrane. ) Certain musical genres like Blues, Jazz and Folk will definitely be hard to find without actual record shops around to feature them. You won't find them in Tesco, that's for sure.

So, farewell then, HMV Gloucester, you'll be missed.

Soundtrack: Blade Runner Soundtrack by Vangelis

Thursday, 17 January 2019

An Eerie Blog



For many years now, one of THE best comics blogs around was Bronze Age Babies, that wonderful repository of all things post-Silver Age and pre-Wizard / Image / Whatever Age. Promising us "Growing Up Goodness From The '70s And '80s", BAB more than delivered with a seemingly endless supply of entertaining, thoughtful and just plain fun posts on comics and pop culture of decades gone by. Unfortunately BAB is now in blog limbo, although its hosts, Karen & Doug, are still doing sterling work at the Planet 8 Podcast and Black & White and Bronze! respectively.

The latter is Doug's excellent new blog about the black and white comics of the Bronze Age, that long-lost time when Warren made a killing churning out the horrific likes of Creepy, Eerie, Vampirella and 1984, while the likes of Marvel, Skywald and even Atlas tried to follow suit. I was particularly fond of Marvel's B&W mags, from The Savage Sword Of Conan to Vampire Tales to Planet Of The Apes, and it's a treat to find a blog devoted to them and their monochromatic cousins.

So, I was very pleased, flattered and surprised when Doug asked me if I'd like to contribute a guest post to his blog. Of course, I said yes! After doing some thinking ( rare for me! ) about which mag to cover, I decided on an old issue of Eerie, #9 from 1967. Although my Warren collection is extremely limited and I know a lot more about Marvel's B&W mags, I picked this one because of the beautiful artwork inside, and because I thought I could tie the three pages I scanned into an overall theme.
But, anyway, please check out Doug's blog via the link above... and... don't have nightmares!

And the Brexit shambles keeps staggering along...





Yes, there is still beauty in the world...


which is good to remember in these absurd and worrying times...
















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