Showing posts with label Colin Lorimer. Show all posts
Showing posts with label Colin Lorimer. Show all posts

Thursday, 4 June 2020

30-Day Comic Challenge Week 1


Hot on the heels ( as they say ) ( and why do they say that? ) of my 30-day song challenge, here comes another challenge for these slightly-less-locked-down-but-still-socially-distancing days.
Yes, it's another subject close to my cold, black heart  -  comics!

Day 1  -  Your favourite comic
Conan The Barbarian no. 24 ( March 1973 )


It's almost an impossible task to choose a favourite comic but I'll go with this one because it has a very special place in my heart. As I've banged on about before, my copy ( yep, the one above ) was bought for me by my parents in the legendary Dark They Were & Golden Eyed in ( I think ) 1978 on my first visit to that there London. Many, many years later I was lucky enough to have it signed by the even-more-legendary Roy ( The Boy ) Thomas himself. On top of all that, it's just one of THE greatest comics of the Bronze Age, skilfully scripted by Roy and boasting some beautiful, impossibly detailed artwork from Barry Windsor-Smith at the very height of his powers.

Day 2  -  A comic you recommend to everybody
The Hunt ( 2016 ) by Colin Lorimer


The Hunt is a spine-tingling, creepy slice of Irish folk horror by multi-talented artist, writer, storyboard-creator and friend of TGW-S, Colin Lorimer.


Here's the beautiful cover to issue 3 and above that is a signed print of some stunning interior artwork which Colin very kindly sent to me, all the way from Canada. Not only is he a very, very talented comics creator, he's also a great guy.

Day 3  -  A great adaptation of another work
Amazing Adventures Featuring Killraven  -  Warrior Of The Worlds


Roy Thomas ( it's that man again! ) and Don McGregor project HG Wells' War Of The Worlds into the future of a barbaric, dystopian Earth ( 2019 )  -  with the help, of course, of such awesome artists as Neal Adams, Herb Trimpe, Gene Colan and ( especially ) P Craig Russell. This series was one of the highlights of Marvel's 1970s output, a savage but philosophical examination of a world crushed under the heel tentacle of Martian invaders, and of the conflicted band of freedom fighters struggling to overcome their slimy conquerors. Here's my copy of issue 29, signed by Dauntless Don himself.

Day 4  -  First comic series you seriously pursued
Of course, it's The Mighty World Of Marvel  -  Nuff Said!



For many British comic fans of my generation, MWOM ( as it's affectionately called ) was our gateway into the world of far-out fantasy. An anthology comic that began by reprinting the early years of the Marvel Age ( starting with the debuts of The Hulk, The Fantastic Four and Spider-Man ), MWOM lasted through many incarnations over the decades, and kicked off the relatively short-lived but often glorious Marvel UK line. It really was Ground Zero for me and I soon went on to collect Spider-Man Comics Weekly, The Avengers, Planet Of The Apes, Dracula Lives, The Superheroes, The Titans, Captain Britain... the list goes on...

Day 5  -   A great love story
Swamp Thing and Abigail Cable


Only Alan Moore in his prime could craft the story of a love affair between the daughter of a super villain and a walking compost-heap and make it one of the most beautiful and sensitive romances in comics.
"My vegetable love should grow / Vaster than empires and more slow"  -  Andrew Marvell
( Pretentious? Moi? )

Day 6  -  A comic that is underrated
Starman ( 1994 - 2001 )


With its intricately-designed Opal City, huge cast of characters and deep dive into DC mythology, James Robinson & Tony Harris' Starman is, at heart, a very human story about the bonds of family

Day 7  -  Your comfort comic
Fantastic Four no. 51 ( June 1966 )


Possibly the single greatest work of the Lee / Kirby team ( with Joe Sinnott! )  -  a poignant but inspiring story of how even the worst of us can find heroism.And then there's THAT iconic cover! You can read more of my thoughts ( should you want to, of course, it's not mandatory ) on this classic comic here

So, yeah, week one done. Phew! If anyone would like to join in with the challenge please leave a comment. What are your favourites?

Sunday, 13 May 2018

Comics! New Comics! Action, Captain America and The Prisoner!


If there's one thing I don't do much of these days it's write posts on this 'ere blog. And if there's another thing I don't do much of these days it's buy new comics. What if I combined these two things I don't do much of these days into one thing? And put that thing here on t'internet for your perusal? Let's try it...

Yesterday I visited my ( sort of ) local comic shop, Proud Lion in Cheltenham  -  with my usual impeccable timing, only a week after Free Comic Book Day. I was after one comic in particular ( which I'll come to later ) but I managed to pick up another couple which looked interesting.

First up is Action Comics #1000, a landmark issue for the Man of Steel in his 80th anniversary year. There are a few variant covers out there, including a strangely sub-par one from Jim Steranko, but the only copy left in the shop sported the regular edition cover by Jim Lee. And I think it's a pretty fine illustration of the Last Son of Krypton, back in his iconic costume, red trunks and all. Unfortunately the contents are rather a mixed bag. There are nine separate short stories ( although "stories" is stretching the point ) which all pay homage in one way or another to the career of Earth's mightiest mortal. Even though there are some creators represented here with excellent track records with this character ( Dan Jurgens, Marv Wolfman, Curt Swan ) most of these short vignettes fall flat, being stuffed with often trite moralising, and mostly going nowhere very interesting. But there are lots of pretty pictures...


A far more satisfying landmark issue comes courtesy of Mark Waid, Chris Samnee and Matthew Wilson as the Star-Spangled Avenger reaches his 700th issue. ( I'm trusting Marvel and DC to have accurately worked out all this numbering, considering both characters have had various "first issues" and reboots over the years. ) As well as being an anniversary issue this is also the concluding part of a continuing storyline where Captain America has been catapulted into a near-future, Dystopian America ( yes, even more Dystopian than the one that exists in 2018 ) where he is trying to protect the crumbling Republic from various enemies both from within and without. Waid is at his dependable best, crafting a fast-moving adventure which tests Cap to his limits, mentally and physically, while Samnee proves yet again that he's one of the foremost stylists in the business with his wonderfully retro-yet-fresh artwork:
There's also a strange 10-page back up story which Waid has cobbled together from various Bronze Age Cap comics and added his own dialogue. It doesn't really hang together but it's nice to see the Jack Kirby / Frank Giacoia artwork. All in all, Captain America #700 works far better as an anniversary comic than Action #1000 because the main story is so engrossing and the tribute to the character grows organically from that...


And, saving the best for last, we have the brand new Titan Comics adaptation of The Prisoner by Pete Milligan and Colin ( friend of TGW-S ) Lorimer. ( Yep, this is the comic that prompted my journey to Proud Lion ) This modern-day updating of the 1960s spy-fi mind-bender sees an M15 agent on the run from his own side after a disastrous mission in the Middle East. Inevitably his luck runs out and, in an echo of the very first Prisoner episode, he is gassed in his London ( not so ) safe house, only to awaken in the mysterious Village.
Pete Milligan is an idiosyncratic writer, a creator of many surreal and intriguing comic book worlds who is the perfect author to chronicle the story of the new Number Six. And Colin Lorimer is a wonderful choice of artist  -  there's an enjoyable tension between his gritty, contemporary style and the psychedelic / Pop Art leanings of the original show which seem to bleed into the modern setting. It will be interesting to see how many of the McGoohan / Markstein creations will appear in this 21st-century nightmare...
This is The Prisoner retooled for the Information Age where the Village seems to be an autonomous state, obtaining information from its "guests" by "mental fracking" ( ouch! ) while also carrying out bizarre crimes in the outside world. The surface has barely been scratched in this first story and I'm looking forward to uncovering more of this world where no-one dares trust anyone else.
Be seeing you...

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